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The Politics of Queer Curatorial Positions is a reconstructed genealogy. The most direct reference is its relation to the painting “Gabrielle d´Estées and One of her Sisters” by the unknown master from the Fontainebleau School, around 1595. This work, realised in collaboration with Dr Marina Grzinić (theoretician/curator) is a part of Tanja Ostojić´s project Strategies of Success /Curator Series (2001-2003) that is analysing power and gender struggles within the art system.

Tanja Ostojić: Politics of Queer Curatorial Positions: After Rosa von Praunheim, Fassbinder and Bridge Markland (2003). Colour photo: 100 X 100 cm. Photo: Jane Štravs. Copyright: Tanja Ostojić.
The photo has been exhibited at HOMOSEXUALITY_IES, Deutsche Historisches Museum Berlin (2014-15) and Arts Homo Erotica, National Museum, Warsaw (2010), among others.