TANJA OSTOJIĆ

BIBLIOGRAPHY AS SUBJECT

(selection)

  • Tumbas, Jasmina: “Big Time Sensuality: Tanja Ostojić’s Immersive Femninism” in exhib. cat. Tanja Ostojić: WOMEN’S HEALTH, BODY POLITICS, LABOUR, SEXUALITY, WELLBEING, MENOPAUSE, AGEING AND AGENCY, Savremena Galerija Subotica/The Contemporary Art Gallery Subotica, 2024.
  • Sasse, Sylvia in Subversive Affirmation. Kritik der Kritik revisited, diaphanes, Zürich, Switzerland, 2023.
  • Robinson, Hilary: “The Activist Feminist: Migration: Tanja Ostojić”, (pp 298-9) in The Art of Feminism: Images that Shaped the Fight for Equality, Revised Edition, ed. Reckitt, Helena, Tate London, Elephant Book Company, 2022, UK.
  • Paulenka, Marina: “Tanja Ostojić, Looking for a Husband with EU Passport”, (pp.215-224) in M/Otherlands, FOAM, Amsterdam, 2022, Holland.
  • Tumbas, Jasmina: “The last generation of Jugoslovenkas: diverse forms of emancipatory resistanc and performance strategies” (pp. 275-8) at “I am Jugoslovenka” Feminist Performance Politics During and Af-ter Yugoslav Socialism, Manchester University Press, UK, 2022.
  • Purić, Biljana: “Live Solidarity — Art Workers and Feminist Artistic Organizing in the Post-Yugoslav Region“, ARTMargins Online, MIT Press, Cambridge, MA USA, 2022.
  • Chametzky, Peter: “Mass Media” (pp.194-6) in Turks, Jews and Other Germans in Contemporary Art, MIT Press, Cambridge, MA USA, 2021.
  • Pewny, Katharina and Vannieuwenhuyze: “Precarious Bodies on the Move, Precarious Bodies under Attack” (pp. 94-108) in Precarity in Contemporary Literature and Culture, (eds. E.J. Hoggs & P. Simonsen), Bloomsbury Academic Publishing, London and Oxford, UK, 2021.
  • Roth, Julia: “Citizenship, migration, and the gendering of modern/colonial inequalities” in Multiple Gender: Cultures, Sociology and Plural Modernities, eds.H. Winkel & A. Poferl, Routledge, New York, 2021.
  • Apostol, Corina: “Exodus/ Projects/Tanja Ostojić” (pp. 261-2) in Making Another World Possible, eds: C.Apostol & N. Thompson, Creativetime, Routledge, New York, 2020.
  • Dizdar, Ivana: “He Loves Me Not: Marriage and Migration in the Work of Tanja Ostojić”, (pp. 52-61) in Thresholds, The MIT Press Journal, No. 48 | 2020, USA.
  • Tumbas, Jasmina: “Solo and Ensemble”, (pp. 60-65) in Art in America, March 2020, USA.
  • Hristova, Maya: “In Conversation with Tanja Ostojić”, (pp. 31-51) in Eastern European Photography Vol.1, eep, Berlin 2020. 
  • Milevska, Suzana: “Transindividualität und Differenz” (pp. 16-21) in Springerin, Heft 1- Winter 2020, Vienna, Austria.
  • Robinson, Hilary: “La migration: Tanja Ostojić”, (pp 252-253) in L’ART DU FÉMINISME: Les images quie ont façonné le combat pur l’égalité, 1857-2017, ed. Reckitt, Helena, Hugo Image, Paris, France, 2019.
  • Gausden, Caroline: “Performing Advocacy” (pp. 134-149) in Accessibility, Inclusion, and Diversity in Critical Studies, eds. R. Finkel, B. Scharp and M. Sweeney, Routledge, London, UK, 2019.
  • Glisic, Iva & Puric, Biljana: “Art as a Living Archive: Post 1989 Performance Art in Serbia and Russia” (pp. 213-234) in THIRD TEXT, Nr. 157, March 2019, Routledge, London, UK. 
  • Tumbas, Jasmina: “Yugonostalgia” (pp. 8-10) in Art Monthly, Issue: 425, April 2019. UK.
  • Spiker, Sven: “Artists from former Eastern Europe in Berlin: TANJA OSTOJIĆ” (interview), Art Margins Online, MIT Press, USA, January 2019.
  • Hopkins, David “Art and the New Millennium” in After Modern Art 1945-2017, Oxford History of Art, (pp. 255-258), Oxford University Press, Oxford 2018, UK. 
  • Robinson, Hilary: “Migration: Tanja Ostojić”,(pp 252-253) in The Art of Feminism: Images that Shaped the Fight for Equality, ed. Reckitt, Helena, Tate Publishers, London, 2018, UK.
  • Cvoro, Uros: “‘We Came to Take Your Jobs Away’: Migration and Agency in Work of Tanja Ostojic and Angela Melitopulos” (pp.37-60) in Transitional Aesthetics, Contemporary Art at the Edge of Europe,  Bloomsbury Academic, London, New York, Oxford, New Delhi, Sydney, 2018.
  • Reilly, Maura in Curatorial Activism, ed. M. Reilly,Thames & Hudson, 2018. 
  • In Art and Theory of Post-1989 Central and East Europe: A Critical Anthology, The MoMA, New York, 2018, USA.
  • Videkanic, Bojana: “LEXICON OF TANJAS OSTOJIĆ AND FEMINISM IN TRANSITION“ Jurnal Sociologija, Belgrade, 2018.
  • In Art and Theory of Post-1989 Central and East Europe: A Critical Anthology, The MoMA, New York, 2018, USA.
  • Milevska, Suzana: “The Potency and Potentiality of Transindividuality in Lexicon of Tanja Ostojić” in Lexicon of Tanjas Ostojić, ed. T. Ostojić, Live Arts Development Agency, London, UK and MMSU, Rijeka, Croatia, 2018.
  • Milevska, Suzana: “Afterthoughts about Lexicon of Tanjas Ostojić, to be continued…”in Lexicon of Tanjas Ostojić, ibid.
  • Badovinac, Zdenka: “Future from the Balkans” in OCTOBER 159, Winter 2017, Massachusetts Institute of Technology, USA. (pp. 112-113)
  • Bryzgel, Amy in Performance Art in Eastern Europe since 1960, ed. A. Bryzgel, Manchester University Press, 2017, UK. (pp. 190-192, 219-220, 275-276, 329-330)
  • Dickinson, Bob: “A Bridge too Far” in Art Monthly, April 2016, UK.
  • Dimitrakaki, Angela in ECONOMY, A. Dimitrakaki, K. Lloyd eds., Liverpool University Press, 2015, UK.
  • Parvulescu, Anca in The Traffic in Women´s Work, The University of Chicago Press, Chicago, USA and London 2014, UK.
  • Hock, Beate: “Moving across Europe: Three Case Studies on Sex-Appeal” in Sexing the Border: Gender, Art and New Media in Central and Eastern Europe, ed. Katarzyna Kosmala, Cambridge Scholars Publishing 2014, UK.
  • Grzinić, Marina and Stojnic Aneta: “From Feminism to Transfeminism: From Sexually Queer to Politically Queer” in Sexing the Border: Gender, Art and New Media in Central and Eastern Europe, ed. Katarzyna Kosmala, Cambridge Scholars Publishing 2014, UK.
  • Milevska, Suzana: “Die Potenz und die Potenzialität der Transindividualität der Lexicon of Tanja Ostojić”, in Lexicon of Tanja Ostojic, ed. T. Ostojic, UdK, Berlin 2014, Germany.
  • Saldanha, Arun and Milevska, Suzana “The Eternal Return of Race: Reflections on East European Racism” in Deleuze and Race, Arun Saldanha and Jason Michael Adams eds. Edinburgh University Press 2013, UK.
  • Dimitrakaki, Angela: in Gender, artWork and global imperative, Manchester University Press, 2013, UK. (Dimitrakaki, Angela: in Gender, artWork and global imperative, Manchester University Press, 2013, UK. (pp.15, 18, 76-81, 85-91, 94, 96, 212-219, 240, 242).
  • Dekel, Tal, “European Artists, Between East and West”, in: Women and Migration – Art and Gender in a Transnational Age. Resling Publishing House, Tel-Aviv, 2013, Israel [in Hebrew].
  • Popesku, Xandra: “Interview // Tanja Ostojić: The Eurosceptic”, in BERLINARTLINK.com, 10.12.2013, Germany.
  • Dimitrakaki, Angela: “Labour, Ethics, Sex and Capital: On Biopolitical Production in Contemporary Art: Andrea Fraser and Tanja Ostojić” in n.paradoxa vol 28, 2011, KT press, London, UK.
  • Milevska, Suzana: “Women Bear Witness” in n.paradoxa vol 28, 2011, KT press London, UK.
  • Hock, Beata, “Agency Gendered: Deconstructed Marriages and Migration Narratives in Contemporary Art” in Art Margins Online, MIT Press, USA, July 2011.
  • Milevska, Suzana: “Becoming-Gender-Difference” in: Gender Difference in the Balkans, Verlag Dr Mueller, Saarbrueken, 2010.
  • Fassin, Éric and Surkis, Judith: “Transgressing Boundaries: Tanja Ostojić, Transnational Migrations, and European Sexual Politics”, in: The Sexual Boundaries of Europe, É. Fassin and J. Surkis, eds., Public Culture, volume 22, nr 3, fall 2010 Duke University Press, Durham USA 2010.
  • Mignolo, D. Walter: “Aesthesis decolonial”, in: Calle 14, No.14, ASAB, Bogotá, 2010, Colombia.
  • Minić, Danica: “Gender-Related Art from Serbia”, in Gender Check: a Reader, Bojana Pejić, ERSTE Foundation and MUMOK Vienna, eds. Walter König Verlag, Köln, 2010. 
  • Badovinac, Zdenka: “Schengen Women”, in Gender Check: a Reader, ibid.
  • Leszkowics, Pawel: Ars Homo Erotica, Muzeum Narodowe, Warsaw, 2010.
  • Matić, Ljubiša: “Rehearsing Race”,  in: MISperformance, PSI No 2, Rautledge Essex 2010.
  • Videkanić, Bojana: “Tanja Ostojić’s Aesthetics of Affect and PostIdentity”, in Art Margins Online, MIT Press, USA, September 2009.
  • Milevska, Suzana: “The Silkworm Cocoons–Gender Difference and the Impact of Visual Culture on Contemporary Art in the Balkans”, in: Gender Check, MUMOK Vienna and Verlag der Buchhandlung Walther König, Cologne, 2009, Germany.
  • Reiche, Claudia: “Tanja Ostojić: Black Square on White, Von der Mehrlust zum Ekel und zurück / From mehrlust to nausea and back”, in: Mehr(wert) queer. Visuelle Kultur, Kunst und Genderpolitiken // Surplus (Value) Queer. Visual Culture, Art and Gender Politics. Barbara Paul & Johanna Schaffer, eds., Transcript, Bielefeld, Germany, 2009.
  • Milevska, Suzana: “Zwischen zwei Visuellen Ideologien. Geschlecht, Feminismus Visuelle Kultur Unt Kunst Im Osten”, in: Und jetzt – Kunstlerinnen aus der DDR, Verlag fur Moderne Kunst, Nürnberg, Germany, 2009. 
  • Marina Grižinić: “De-Coloniality of Knowledge”, in: Integration Impossible: The Politics of Migration in the Artwork of Tanja Ostojić, Grižinić & Ostojić eds., Argobooks, Berlin, 2009.
  • Milevska, Suzana: “Femina Sacra: Bipower and Paradoxes of Humanity in the Art of Tanja Ostojić”, in: Integration Impossible? The Politics of Migration in the Artwork of Tanja Ostojić, ibid.
  • Surkis Judith: “Tanja Ostojić´s European Border Work”, in: Integration Impossible? The Politics of Migration in the Artwork of Tanja Ostojić, ibid.
  • Rune Gade: “Making Real: Strategies of Performing Performativity in Tanja Ostojić´s Looking for a Husband with EU Passort”, in: Integration Impossible? The Politics of Migration in the Artwork of Tanja Ostojić, ibid.
  • Eisenstein, Adèle: Postscript, in: Integration Impossible? The Politics of Migration in the Artwork of Tanja Ostojić, ibid.
  • Ardenne, Paul: “A flux tendu – La création plasticienne au tournant du XXI èmesiècle”, in: Art vivant: l’expansion. La création contemporaine au tournant du 21ème siècle, Editions du Regard, Paris, 2008.
  • Gržinić, Marina: “On Dramatizations of Performance and Feminism in Former-Yugoslav Space”, in: Re-politicizing art, theory, representation and new media technology, (Schriften der Akademie der bildenden Künste Wien, Vol. 6), Schlebrügge, Vienna, 2008.
  • Gržinić, Marina: “Former Yugoslavia, Queer and Class Struggle”, in: New Feminism: Worlds of Feminism, Queer and Networking Conditions, Marina Gržinić & Rosa Reitsamer, eds., Loecker Verlag, Vienna, 2008.
  • Allara, Pamela: “Geobodies: Feminist Activists Crossing Borders”, in: New Feminism: Worlds of Feminism, Queer and Networking Conditions, ibid.
  • Milevska, Suzana: “Femina Sacra, Biopower und Paradoxa der Menschheit in der Kunst von Tanja Ostojić”, in: Förderkohle, StipendiatInnen der Kulturverwaltung des Berliner Senats, NBK, Berlin, 2008.
  • Fraueneder, Hildegard: “Ich treffe Dich – die Verabredung als künstlerische Form und Politik der Sichtbarkeit”, in: dating.21 Liebesorganisation und Verabredungskulturen, Transcript, Bielefeld, 2007.
  • Gržinić, Marina: “O dramatizaciji performansa od strane ženskih performera na prostoru bivse Jugoslavije”, in: Žene na raskrižju ideologija, exhibition catalogue, Split, 2007.
  • Milevska, Suzana: “Erotic meets the political in Tanja Ostojić’s work”, in: Fotograf, a magazine for photography and visual culture, Mediagate, Brno, 2007.
  • Mayerhofer, E./ Mokre, M.: “Prekäre Verhältnisse als Zuckerseiten des Lebens. Künstlerinnen und die ‘Creative Class’”, 2006, http://www.van.at/see/tanja/ot/index.htm and in: Gender in Motion. Genderdimensionen der Zukunftsgesellschaft. Bankosegger, K.; Forster, E. J. (Hg.) eds., VS Verlag, Wiesbaden, 2007.
  • Dimitrijević, Branislav: “A Brief Narrative of Art Events in Serbia after 1948”, in: East Art Map, Contemporary Art and Eastern Europe, IRWIN eds., Afterall, London, 2006.
  • Ronca, Marion: “Le retour du jeux politique: quelque reflexions sur le travail de Tanja Ostojić”, in: esse arts + opinions, Montreal, 2006.
  • Molgaard Laustsen, Marie: “Et nogent, nogent liv”, in: Ojeblikket, No. 47, Copenhagen, 2006.
  • Lederer, Anton: “Grenzen”, in: Datum, 01/06, Vienna, 2006.
  • Mokre, Monika: “The Emptiness of the Female Body: On the Projects of Tanja Ostojić”, 2006.
  • Gržinić, Marina: “Performativity and Processuality”, in: ProFemina, Nos. 41–42, Belgrade, 2006.
  • Vuković, Stevan: “Balkan Konsulat Belgrade”, in: Balkan Konsulat, Rotor Graz eds., Revolver, Frankfurt am Main, 2006.
  • Gade, Rune: “Med kønnet som indsats – Tanja Ostojic og den operative realisme”, in: Kønnet i kroppen i kunsten, Informations Forlag, Copenhagen, 2005.
  • Gade, Rune: “Making Real: Strategies of performing performativity in Tanja Ostojić’s Looking for a husband with EU Passport”, in: Performative Realism, Museum Tusculanum Press, Copenhagen, 2005.
  • Gržinić, Marina: “Intervention of New Media Technology within Representational Politics, Space and (Im)material Identity”, in: Medialisierung/Arbeit/Spatialisierung/ (Re)Politisierung, Vienna, 2005.
  • Erić, Zoran: “Tanja Ostojić’s Personal Space – Public Body”, in: Art as a Critical Reflection of the Public Sphere: The Production of Social Space in Serbia in the Era of Milosević, PhD dissertation, Bauhaus University Weimar, 2005.
  • Milevska, Suzana: “Objects and Bodies: Objectification and Over-Identification in Tanja Ostojić’s Art Projects”, in: Bodily Interventions, Feminist Review No. 81, London, 2005.
  • Krusche, Martin: “A Scandal?” (documentation and comments) 2005–06, in: http://www.van.at/see/tanja/ot/index.htm.
  • Mokre, Monika: “The Emptiness of the Female Body, On the Projects of Tanja Ostojić”, 2005, in: http://www.van.at/howl/junction/kont02/kont42b.htm.
  • Minić, Danica: “Gender-Related Art from Serbia”, in: Umelec 2/04, Prague, 2004,
  • Sretenović, Dejan:“See me, feel me, touch me, heal me”, in: Salon for Body&Soul, exhibition catalogue, Museum of Contemporary Art, Belgrade, 2004.
  • Gržinić, Marina: “The Politics of Queer Curatorial Positions”, in: Dérive, Heft 14, Vienna, 2004.
  • Gržinić, Marina: in:“Between Ostojić’s Legs”, in: Situated Contemporary Art Practices – Art, Theory and Activism from (the East of) Europe, Revolver, Frankfurt a.M. and  ZRC Publishing, Ljubljana, 2004.
  • Kellermann, Kerstin: “Soziale Kunst-Figur / interview”, in: An.schläge, das Feministische Magazin, 06/04, Vienna, 2004.
  • Gržinić, Marina: “Tanja Ostojić: Yes, it’s Fucking Political – Skunk Anansie”, in: Strategies of Success / Curators Series 2001–2003, La Box, Bourges, and SKC, Belgrade, 2004.
  • Milevska, Suzana: “The portrait of an artist as a young ‘strategic essentialist’”, in: Strategies of Success / Curators Series 2001–2003, ibid.
  • Gade, Rune: “Readymade-realisme – Noget om det ‘gamle’ ved den ‘nye’ realisme”, in: Virkelighed, virkelighed! Avantgardens realisme, Tiderne Skifter, Copenhagen, 2003.
  • Koskinen, Taava: “Enkelinä taiteen valtapeleissä/Tanja Ostojić”, in: Taide, Art Magazine, Helsinki, 2003.
  • Erić, Zoran: “Personal Space – Public Body”, in Artefact, Zagreb, 2003.
  • Milevska, Suzana: “Hesitations – or about political and cultural territories”, in: Cultural Territories, Verlag der Buchhandlung Walther König, Cologne, 2003.
  • Kersting, Rita: “Mimetische Ausschnitte”, in: Parkett, No. 67, Zurich, 2003.
  • Zlatanović, Gordana: “V tele Tanji Ostojić”, in: Vlna, No. 16/2003, Bratislava, 2003.
  • Gade, Rune: “Readymade-realisme”, in: Virkelighed! Avantgardens realisme, Petersen & Sundbye, eds., Tiderne Skifter, Copenhagen, 2003.
  • Gržinić, Marina: “Globalni kapitalizem in aktivistična teorija”, in: Estetika Kibersveta in učinki derealizacije, ZRC Publishing, Ljubljana, 2003.
  • Gade, Rune: “Operativ kunst – en diskussion af Tanja Ostojić s Looking for a Husband with EU Passport”, in: Periodical Passepartout 22, 11 årgang, Copenhagen, 2003.
  • Milevska, Suzana: “A Gaze at the Naked Truth”, in: Venice Diary, Museum of Contemporary Art, Zagreb, 2002.
  • Gržinić, Marina: “Ostojić’s ‘I’ll be Your Angel’: An Authentic Devil Act! ”, in: Venice Diary, ibid.
  • Milevska, Suzana: “Tanja Ostojić”, in: Uncertain Signs–True Stories, Angelika Stepken, ed., Badischer Kunstverein, Karlsruhe, 2002.
  • Andjelković, Dejan, & Radovanović, Jelica: “The Marriage of Tanja Ostojić and Klemens Golf”, in: Uncertain Signs–True Stories, ibid.
  • Gržinić, Marina: “Malewitsch auf dem Venushügel von Tanja Ostojić”, in: Springerin, Band Vlll Heft 1/02, Vienna, 2002.
  • Gržinić, Marina: “Encountering the Balkan. Radicalization of Positioning”, in: Art in Europe 1990–2000, Gianfranco Mariniello, ed., Skira, Milan, 2002.
  • Milevska, Suzana: “Kosmopolitismus-Debatte…”, in: Springerin, Band Vlll Heft 3/02, Vienna, 2002.
  • Hübl, Michael: “Uncertain Signs True Stories”, in: Kunstforum, Band 160/02, Cologne, 2002.
  • Hoffman, Justin:“Search of Balkania/Balkan Konsulat”, in: Camera Austria, 80/02, Graz, 2002.
  • Čubrilo, Jasmina: “Archiving: re-thinking the nineties, or is it possible to write the art history of the nineties? ‘Das Ende der Kunstgeschichte?’ Have the nineties already become the subject of art history or are they still the subject of art criticism? ”, in: REMONT.REVIEW, Beogradska umetnička scena devedesetih, D. Radosavljević, J. Čubrilo, S. Vuković, eds., Remont, Belgrade, 2002 
  • Koskinen, Taava: “Kansallinen ja kansainvälinen sulavat yhteen Venetsian biennaalissa”, in: Taide, Art Magazine, No. 04/01, Helsinki, 2001.
  • Milevska, Suzana: “Spectacle of the Invisible”, in: NU – Nordic Art Review, Vol. III, No. 5/01, Stockholm, 2001.
  • Leoni, Chiara: “Ready to Rumble”, in: Flash Art, Dec. 2000–Jan. 2001, Milan, 2000.
  • Rouillé, André: “Becoming with the world. An art without present”, in: Becomings, Contemporary Art in South-East Europe / Devenirs,CultureAccess, Paris, 2001.
  • Čubrilo, Jasmina: “Etre une artiste”, in: Profemina,periodical, Belgrade, 2000.
  • Howell, Anthony: The Analysis of Performance Art, Harwood Academic Publishers, London,1999.
  • Krivokapić, Jelena: “Belgrade Art Scene”, in: ArtPresse, Paris, 1999.
  • Čubrilo, Jasmina: “Tanja Ostojić”, in: Belgrade Art Scene – the Nineties, Radio B92, Belgrade,1998.
  • Sretenović, Dejan: “The Body Lost and Regained”, in: Body and the East, Museum of Modern Art, Ljubljana, 1998.
  • Dimitrijević, Branislav: “Pain on both sides”, in: Manifesta 2, European Biennial of Contemporary Art, Luxembourg, 1998.
  • Šuica, Nikola: “Personal Space”, in: Arti magazine, vol. 36/1997, Athens.
  • Čubrilo, Jasmina: “Tanja in first person”, in: A Look at the Wall 1994–1996, Radio B92, Belgrade, 1996.
Apostol, Corina: “Exodus/ Projects/Tanja Ostojić” in Making Another World Possible,
Routledge New York, 2020.