“Mis(s)placed Women? Methodologies of Empowering Feminist Artistic Practice”, in performingborders e-Journal #3 Entangled Practices: Emboding Cross-Border Live Art, Sept 27, 2024, London.
“Methodologies of empowering feminist artistic practices and alternative pedagogical models” (pp.218-243), in Subaltern Knowledge in Cultural Practices, eds: Milena Dragićević Šešić & Sarah Cordonnier, Clio & University of Arts in Belgrade, Serbia, 2024.
“Participatory Feminist Performance Practices in Digital Age: A Critical View on a Digitalisation Approach, Or What Cannot be Replaced Regarding the Public Space And Presence: The Case of The ‘MIS(S)PLACED WOMEN?’ Project (2009-2022)”, in Digital Performing Arts: Participatory Practices in a digital age (pp.228-253), University of Arts Belgrade, Serbia, 2023.
Tanja Ostojić: Mis(s)placed Women?, 2009-2022, A Collaborative Art Project, exhibition catalogue (ed: T. Ostojić, Depo and Anadolukultur, Istanbul, Turkey, 2022. (English and Turkish edition)
“About” (pp. 6-7), “Unpacking a Bag of your Own” (pp.12-13, 18-19, 22-23, 25-31), “Holding the Misplaced Women? Sign (pp. 36-41), “Misplaced Women? And the Tourist Suitcase” (pp.50-55), “Performance Workshops” (pp. 56-57, 78-79), “Live Events” (pp.88-91) in Tanja Ostojić: Mis(s)placed Women?, exhibition catalogue (eds: T. Ostojić, D. Vasić), Cultural Center of Belgrade, Serbia, 2021.
“On the Development of Interdisciplinary Feminist Methodologies and Perspectives within my own Artistic Practice: I’ll Be Your Angel (2001) and Lexicon of Tanjas Ostojić (2011-17)” (pp.24-37) in Feminist Art Activisms and Artivisms, ed. K. Deepwell, Valiz, Amsterdam, Nederlands, 2020.
“Venice Diary/ Venedig-Tagebuch” Falkenrot Preis 2020, Künstlerhaus Bethanien, Berlin, 2020. • “Transformativni susreti iz perspektive autorke”, in Teorijski diskurs savremene ženske kulture, eds. S. Drazić & V. Kopicl, Pokrajinski zavod za ravnopravnost polova, Novi Sad, Serbia, 2019. • “Glossary: Law”, in The Nineties: A Glossary of Migrations, exhibition catalogue, (pp.137-142), eds. N. Knežević, A. Panić, S. Ognjanović, Museum of Yugoslavia, Belgrade, Serbia, 2019.
“Misplaced Women? Performance Art Workshop on Migration, in the Public Spaces in Belgrade, Serbia”, in Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art, Sholette, Gregory and Bass, Chloë, eds., Queens Museum New York, 2018.
“Women Talk” in Lexicon of Tanjas Ostojić, ed. T. Ostojić, Live Arts Development Agency, London, UK and MMSU, Rijeka, Croatia, 2018.
“Favourite recipes of Tanjas Ostojić” in Lexicon of Tanjas Ostojić, ibid.
“Crossing Borders” in Feminism Art Theory: An Anthology 1968 – 2014, ed. by H. Robinson, Wiley Blackwell, UK, 2015
“Lexicon of Tanja Ostojić” in Lexicon of Tanja Ostojic, UdK, Berlin 2014.
In conversation with Adele Eisenstein, “On Artistic Research and Cultural Activism” in Wahrnehmung, Erfahrung, Experiment, Wissen, ed. Susanne Stemmler, diaphanes, Zürich-Berlin, 2014.
“Assuming a Migrant Woman’s Identity” in Perform, Repeat, Record: Live Art in History, Amelia Jones and Adrian Heathfield, eds. Intellect Books, Bristol, UK, 2012.
“Cruzando Fronteras” in Estéticas y option decolonial, eds. W. Mignolo and P.P. Gómez, Universidad Distrital Francisco José de Caldas, Bogota, Colombia 2012.
“Naked Life” in FUL Magazine: 01-02 2011, Nasim Aghili, Sweden.
“Looking for a Husband With EU Passport” in Glänta 3-4 2010 (p. 49-64), Glänta, Gothenburg, Sweden
“Rudi Dutschke Street in Berlin” in: The Renaming Machine, Suzana Milevska, ed, P.A.R.A.S.I.T.E. Institute Ljubljana, 2010.
“Grenzüberschreitung: Entwicklung Verschiedener Künstlerischer Strategien” in: Woodstock of Political Thinking, Theater der Zeit, Berlin, 2010
“Crossing Borders: Development of Different Artistic Strategies”, in: Conflict and Renewal: Europe Transformed, Baden-Baden, 2007; in: New Feminism: Worlds of Feminism, Queer and Networking Conditions, Marina Gržinić & Rosa Reitsamer, eds., Loecker Verlag, Vienna, 2008; and in: Ivy Magazine Nr.1, Den Haag, 2007.
Ostojić, Tanja & friends: “Month of August” in Old News, The Silly Season, Pork Salad Press, Copenhagen, 2006.
Ostojić, Tanja/ Petrović, Goran: “Open Studio of New Belgrade Chronicle”, in: Inquiry into Reality: The Disappearance of Public Space, Belgrade, 2007.
Contributions to Art in Migration magazine, Vienna, since its establishment in 2005
“XPONA”, in: Shrinking Cities. Complete Works 2. Interventionen, CD-Rom, Oswalt, Philipp, eds., Kulturstiftung des Bundes, Archplus Verlag, Halle/Saale, 2006.
“New Belgrade” and “Under the Bridge”, in: Under the Bridge, Biro for Culture and Communication, Belgrade, 2005.
“Grenzerweiterungen”, in: Stadt Raum Kontroll Verlust Aneignung Interaktion, Kunsthochschule Berlin Weissensee, Berlin, 2005; and in: Artistic Strategies of Success – A Dialogue between the East and the West, Bundesakademie für kulturelle Bildung, Wolfenbüttel, 2005.
“I’ll be Your Angel” and “Venice Diary”, in: Venice Diary, Museum of Contemporary Art, Zagreb, 2002.
“I’ll be Your Angel”, in: 49th Venice Biennale, exhibition catalogue, Venice, 2001.
Videomedeja 1996 –2000, Vera Kopicl, ed., Video Medeja, Novi Sad, 2001.
“F 28/ Serb/ 19 08 72/ Wish for Integration 2000”, in: The Body Caught in the ComputerIntestines and Beyond, Marina Gržinič and Adele Eisenstein, eds., MKC, Maribor and MASKA, Ljubljana, 2000.
“Personal Space” in Personal Space, Ostojić Tanja, Gajin Sasa, eds., Gallery 12+, Belgrade, 1996.
TANJA OSTOJIĆ 